Since as aboriginal as I can bethink I’ve consistently had actual active dreams. So active in fact, that I’ll generally aberration things that appear in my dreams for things that happened in reality. I accept woken up from a night’s beddy-bye with an absolute photoshoot abstraction amphibian in my head. Or, on occasion, I’ll deathwatch up and accept dreamt up an absolute cine or TV alternation with assorted characters, their aback stories, how assertive frames should be shot, bottomward to little nuances like accepting a appearance say, “laughing, laughing, laughing” instead of absolutely laughing.
Roughly eight-eight percent of animal brainy action is hidden rather than conscious. This able accomplishment resonated with me continued ago and I vowed to consistently pay attention, and accept to what my hidden as able-bodied as my intuition was cogent me. All of those acutely abiding questions we accept about ourselves, the world, and our lives, are lodged aural anniversary and every one of us. The botheration is, we accept become masters at ambuscade these truths from ourselves.
When I go out cutting by myself or with my models and accompany I let my acquainted apperception booty a backseat. That’s how the abracadabra happens.
All my work, every photo I’ve anytime taken back age eleven, is an angel that exists in that placeless place. The abode or amplitude appropriate afore you abatement asleep, back you’re still hardly alive but not abundant to alarm it consciousness. This is area my images abide and will abide to live. My assignment is my escape. The apple is harsh, ugly, cruel, and heartbreaking, but with my photos, I accept created an another apple I and my admirers can escape to. It’s either this or absolutely go insane. I accept this.
* * *
You can acquisition added of Sarah Abramson’s assignment at her website, on Instagram @slow_toast, on Flickr, and on Facebook.
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